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・ Cultural depictions of Edward VI of England
・ Cultural depictions of Edward VII of the United Kingdom
・ Cultural depictions of Edward VIII of the United Kingdom
・ Cultural depictions of elephants
・ Cultural depictions of Elizabeth I of England
・ Cultural depictions of Elvis Presley
・ Cultural depictions of Emiliano Zapata
・ Cultural depictions of Eva Perón
・ Cultural depictions of George Armstrong Custer
・ Cultural depictions of George I of Great Britain
・ Cultural depictions of George II of Great Britain
・ Cultural depictions of George III of the United Kingdom
・ Cultural depictions of George IV of the United Kingdom
・ Cultural depictions of George Washington
・ Cultural depictions of Harold Godwinson
Cultural depictions of Harold Harefoot
・ Cultural depictions of Henry I of England
・ Cultural depictions of Henry IV of England
・ Cultural depictions of Henry V of England
・ Cultural depictions of Henry VII of England
・ Cultural depictions of Henry VIII of England
・ Cultural depictions of Herod the Great
・ Cultural depictions of Isabella of France
・ Cultural depictions of Jacqueline Kennedy Onassis
・ Cultural depictions of James I of England
・ Cultural depictions of Joan of Arc
・ Cultural depictions of John F. Kennedy
・ Cultural depictions of John of England
・ Cultural depictions of Julius Caesar
・ Cultural depictions of King George VI


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Cultural depictions of Harold Harefoot : ウィキペディア英語版
Cultural depictions of Harold Harefoot

==Depictions in fiction==
The historical novel ''Gildenford'' (1977) by Valerie Anand opens in 1036, with the "''brutal massacre''" of Alfred Aetheling and his followers by Harold Harefoot. The novel then focuses on the effects of the event over the following decades. Events are seen from the perspective of Brand Woodcutter, a fictional retainer of Godwin, Earl of Wessex.〔.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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